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Talk about everything and anything related to the fantasy genre here.

The sliding scale of Fantasy: Realism or Magic?

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Posted on 3/3/2012
I'm just wondering how much magic you other fantasy writers inject into your stories. I've been struggling with some of my stories because I tend to make the actions and abilities of most of my characters a little too realistic, to the point that if I wasn't writing about "another world" I would almost hesitate to label my stories fantasy. 

I really want to write one of those beautiful, magical, borderline non sequitur dreamworld fantasies like Mirrormask or such, but I just don't know if I've got it in me to let go of the urge to have everything happen logically.

So magic vs. realism. What is your preference as a writer, and what is your preference as a reader (if they differ)? And how do you like to portray your preferences? 
Showing 1 to 10 of 23 comments
1 year, 2 months, 16 days ago

How much magic you want to put in depends on how your world functions. You can have worlds that would die if the magic does, or those in which no one knows it exists. You can have magic as another tool of daily life, or it can be limited.

In my own made up little world, magic is something that anyone can practice (more like years of study) if they want, but like any skill, it helps to have some talent. The little hitch is that people have adapted to a magic system that broke thousands of years ago. It isn't what it used to be, and it is slowly being replaced by technology. I wanted a little realism to how magic might function and what might become of it in a world that is crossing the line from stagnancy (how everything has been), to progress. I don't want to bore you with my extensive notes on magic use in my world and in what way it broke, but there is the basics to answer your question.

In other words, magic for me functions in a more logical vein. My mages/wizards/sages or what have you, also have a tendency to function as scientists and engineers. They don't just go into arcane history or spell crafting. Magic also has a tendency to be stronger in certain people depending on their family history, you know, like the real world works.

If  you want me to be more specific just let me know.
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1 year, 2 months, 16 days ago

Thanks for the reply! I'm mostly just wanting to gain perspective on how other authors write their fantasy or what they look for as they're reading someone else's. 

My main story right now (Unfit) is a world where magic is possible (they more or less have to tap into one of the four deities for it and then it's mostly used by the upper class), but it doesn't factor into the story until at least halfway through. If anything, I've got Unfit's religious/magic system almost too planned out, but I still feel like it's lacking that really imaginative, whimsical edge that you'd find in a Neil Gaiman book or such. For Unfit, that kind of thing may not even be appropriate since magic is only used by very accomplished academics, but as I think of my other stories, I'd like to take a new approach. 

I guess you could say I'm looking for inspiration by proxy. :)
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1 year, 2 months, 16 days ago

Magic exists in my fantasy world, but it doesn't dominate it. People have prophetic dreams and one character is known for being able to interpret them. I plan to also introduce a "witch" character, who uses a more nature based form of magic.
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1 year, 2 months, 16 days ago

First, you can never "let go of the urge to have everything happen logically." If you invent an illogical magic system, no one will read it.

I think you'll find that fantasy authors vary widely in how they use magic, how much magic exists in their stories, and who uses it. How you use magic defines your genre, not the other way around.

Even your questions, though, can inform your story. If it's a question of who uses magic, why are there such limitations? Are they genetic, societal? Are non-magic users jealous?

Is magic seen as a good or bad thing?

Is magic only used by some because magic itself is in limited supply? Is the supply self-sustaining, or is it finite?

And practically speaking, what does magic do for your story? It doesn't have to be the most important element (that should always be your characters). How much do you really need to tell the story of these people you have created?

It's your story. Tell it the way seems right to you.
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1 year, 2 months, 16 days ago

With my work of contemporary fantasy I have a little bit of magic thrown in there however, I have disguised it well enough that only the family at the heart of the story know of it. My main character's best friend, although quite involved with the family, does not even suspect of the magic that is connected to her friend or even at work in the world around her. I cannot give away too much but the magic at the heart of the story goes back as far as 480 A.D. and has been kept a very guarded secret by this family and their kin for centuries.

As for my other work of fantasy, I have chosen to keep it out of the plot completely. The "magic" I use throughout that story is built more on foreign superstition and legend rather than magic itself. Everything has a natural explanation while seeming to be "magical" to characters in the story.
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1 year, 2 months, 10 days ago

I tend to view magic in fantasy in one of two ways - it is either a central, driving force for the narrative, or it is a known fact but is there to give a familiarity for the readers and to give one (or more) characters abilities which will help or hinder the protagonist.  For the story I am working on right now, magic is uncommon but accepted for the most part, though some jealousy exists.  However, there is a more powerful and more dangerous form of magic which is despised by those who know of it, and it is that which drives the story forward.

So as far as magic goes - both as a reader and as a writer, if magic or a magic-like power exists in the world, I want it to feel organic and true to the rest of the story.  Don't have it for the sake of having it.  Make it mean something.  But above all else, do not use it as a deus ex machina to write characters out of a sticky situation because there is nothing else to do.  As much as I am loathe to take a shot at LotR, that was always the thing which bothered me towards the end.  Too many convienient uses of magic, ghosts, etc to save the day.  Still one of my faves though, so please don't hurt me!

Where I tend to stray from common fantasy is the proliferation of hordes of monsters and dragons and things which seem to exist in the world, and then only in places where the heroes need to go.  I avoid goblins and demons and stuff of that type.  Where there are things other than my human characters (at this point, only 1 that the readers know of) they tie directly into the story and their existence is crucial to the plot.
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1 year, 2 months, 10 days ago

I just thought of something that must be said. Harper, you want a dream-like quality, almost a whimsical feel to a work you want to write. To achieve this you don't need a non-logical magic system. Think of a beautiful sunset with someone you love. It has this overwhelming power to it that enraptures you and draws you in. It might even capture a prominent memory spot. There is something about its beauty that almost makes you weep, but you always wear that goofy smile of content even if for a few moments. That there is "real" magic.

I thought of this when I remembered a question someone had asked me when I was about 11 or 12. They asked me, "Do you think magic exists?" As geeky as I was, I said no. He said, "You're wrong. Have you ever seen a beautiful sunset with a person you love? That is magic." I know I talked something that you should consider when creating a magic system, but this should remain in the forefront of your mind. It does with me, even when I'm writing about how my MC threw very cold water in an enemy's face because she failed to generate an icicle.
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1 year, 2 months, 7 days ago

Magic can be so far-ranging.  The current WiP has three different kinds, one which manipulates the weather, one which has a finite set of incantations with pretty limitless possibilities, and one is just there as an adaptation for a culture but doesn't do anything active.  The first is that way because it felt right for that culture.  The second is that way because of genetics/creation stuff.  It's limitless in possibilities in that one spell depending on your mindset and thoughts when saying it it will have different effects on different things.
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1 month, 11 days ago

Bumping up for new members to see!
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1 month, 9 days ago

Well, let me put this out there and see if someone wants to disagree.

Nobody wants realism in Fantasy. Medieval conditions were appalling by modern standards, and reading about people in those conditions is just not going to be any fun. Try imagining "Monty Python and the Holy Grail" or Terry Gilliam's "Jabberwocky" without any jokes, and you've got a start on realistic Fantasy. Disease, pestilence, raw sewage, abominable social conditions, subjugation of women -- and let's not forget, absolutely everyone going about unwashed, undeodorized, and completely lacking in dental hygiene. That dashing, swashbuckling hero? He smells like someone sprayed a keg of beer over the carpet of a run-down gymnasium's weight room. The lovely, graceful princess? Mossy, carious teeth when she smiles, hairy legs and armpits when you get her in the royal boudoir.

Fantasy is only tolerable when we sweep these sordid bits of its reality under the rug -- or solve them with magic.

So the spectrum we're really talking about is materialism versus magic, not realism versus magic.

Along that spectrum, I prefer to write in worlds tilted strongly toward magic, in part because they allow me to clean up some of the untidiness of medieval life instead of just pretending it's not there. In a world where magic is moderately common, it takes only a few well-positioned sorceresses in history to break the political dominion of men, and the presence of wards and charms against pregnancy permits a significantly more egalitarian society than actually prevailed in our own medieval era.

I also enjoy exploring ramifications and repercussions, so every brand of magic that I dream up gives me the opportunity to ask, "What would the world be like if this capability existed?"

Put all that together, and I get something that looks like the world I've set my main series in, where dozens of different varieties of magic exist, and the rarest sort of wizard is the true generalist who can actually do many different things.
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Showing 1 to 10 of 23 comments

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